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in detail, to describe and illustrate its products and to expand its database of patterns.
We welcome enquiries and contributions in order to develop a much wider and accurate understanding of what was an important, successful and innovative 20th century English pottery.
Around the same time, Noritake produced a "fancy line," which borrowed from Art Nouveau and Belle Epoque styles.
After the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, Noritake’s fancy-line products shifted to embrace Art Deco.
The name "Flow Blue" is a more recent description and was not used by the manufacturers to describe the ware.3) The arms mark appears to be an attempt to reproduce the Royal Arms (but the lion and the unicorn are on the wrong sides) - it was not uncommon for both American and English potters to use a "fake" arms mark.
I don't remember when the accepted stamps were taken into use, but it was at Hanley.However, of these, just six form major families of marks (ILLUSTRATION 1), five of which are based on ship designs; the 1st and 2nd Galleons, the Liner, the Clipper and the Pharaoh's Boat.The exception is the 'Sunburst' Gloria Lustre mark.The first breakthrough on that front was a pattern called Sedan, which was exported to the U. Other lines of dinnerware were characterized by their liberal use of gold glaze.By the early 1920s, Noritake had introduced assembly-line techniques, which allowed the company to more widely distribute its dinnerware around the world.